[Mod] rdv supprimé

Cinq sangs secs hantent. 01550 at wanadoo.fr
Jeu 17 Mar 06:41:11 PST 2005


Salut

J'ai supprimé ceci de l'agenda, à mon avis ça n'avait rien à y faire, 
en plus c'est  le Nième spam du meilleur musicien du monde.

a+
550

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175	The Beatles and their conspiracy to block a music
2005-03-16 12:00:00
(New facts and information) THE BEATLES AND THEIR CONSPIRACY TO BLOCK 
J/O/S/E/P/H F/E/R/R/A/N/T/E 
================================================== The biggest shocking 
news on Earth ---------------------------------- (Full Story) Dear Sir 
or Madam: We are sending you an e-mail made of different parts sent 
through time. We are sending you all this so that you might have a 
clear panoramic view of the situation. We would appreciate any help and 
support you can give. Also, should you want to download the adaptation 
of Hey Jude by J/o/s/e/p/h F/e/r/r/a/n/t/e, click on the following 
link: http://hp.europe.com/ and download the MP3. You can also look on 
the Internet for other pages where you can download J/o/s/e/p/h 
F/e/r/r/a/n/t/e\'s Hey Jude. It will be a free download for some days, 
specially for you. After, remember to visit J/o/s/e/p/h 
F/e/r/r/a/n/t/e\'s main website for more music, etc., etc. Look on the 
Internet for his website. If you enjoyed the song, please give a couple 
of coins (or a million if you\'re rich) to the first needy person you 
find on the street, as a contribution to Life. The adaptation of Hey 
Jude by F/e/r/r/a/n/t/e was not made for money but for the sake of 
art....please give the money to the poor...... Also, if you enjoyed the 
song, please tell your friends to visit this page so that they can also 
download the song. And don\'t forget to also search the Internet for 
J/o/s/e/p/h F/e/r/r/a/n/t/e. Respectful Thanks. THE NEWS MEDIA. 
-------------------------------1st. part----------------------------- 
(email received by our Editor) S.O.S. TO THE EDITOR Dear Editor: My 
name is J/o/s/e/p/h F/e/r/r/a/n/t/e. I am a musician. I am writing to 
inform you of a long history of efforts to block my musical career and 
take my ideas. It has now gone beyond the pale. Some time ago, while I 
was living in England, I had been piano tuner to the ex-Beatle George 
Harrison several times. After five years in England I eventually went 
back to where I\'d originally come from. There I made my own adaptation 
of the Beatles\' \"Hey Jude\". I took the original song and re-worked 
it into a latin \"Bachata\", mixed with flamenco. I made a 
demonstration cassette of it and sent it to George Harrison. It came 
back to me stamped with a rude \"by bike\" in the place of the usual 
\"Air mail\" on the envelope. I phoned him to ask for an explanation 
but was told by his secretary that he did not want to come to the 
phone. Mr. Raul Cairo of the Dutch \"Music and Media\" magazine can 
testify to the quality of my arrangement of \"Hey Jude\", as he wrote 
an article about it in the same magazine. I tried sending demonstration 
cassettes of my version of \"Hey Jude\" to three record companies in 
Spain, and, some months later, a group called \"Los Roling\" came out 
with a flamenco rendition of Beatles music. Significantly, it was at 
the same time that Raul Cairo was writing up my \"Hey Jude\" in \"Music 
and Media\". After a Finnish promotional firm requested 28 CDs of the 
song for broadcasting on their radio chain throughout Europe the song 
began to get airplay. I was told by the firm that they were getting 
phone-in requests for the song at the stations and that it was being 
given a nice reception by radio listeners. Some ten days later the song 
disappeared off the air as though an invisible hand had stopped it. The 
Finnish promotional firm did not care to provide any explanation when I 
phoned up about it. Time went by and I made a \"salsa\" version of the 
Beatles\' song \"Sgt. Pepper\'s Lonely Hearts Club Band\". This time I 
sent demonstration cassettes to record companies outside Europe, 
including in New York. Some months later, a well-known latin 
entertainer got a salsa band together with performers from \"Fania All 
Stars\" among others, and released an L.P. of salsa-style Beatles music 
in New York. Time went by again, and it occurred to me that perhaps I 
could help get the Beatles back together again as a Beatles\' music 
specialist myself and a professional musician in my own right. I faxed 
a proposal to that effect to George Harrison, one which he never 
answered. I did fax him several times again afterwards trying to set 
out my ideas about the Beatles revival venture, only to discover at one 
point that he had had his fax number changed. The international 
operator told me she couldn\'t give me the new number, as it was 
unlisted. About six months after the fax incident the first \"Beatles 
Anthology\" CD came out, after many, many years without a Beatles 
release. My idea. He took it and went ahead without me. Now I am back 
in England. I came back with 14 songs that I\'d put together under the 
title \"Shangri-La\", hoping to get a record deal for it. Both \"Hey 
Jude\" and \"Sgt. Pepper\'s Lonely Hearts Club Band\" were included in 
my production. There were also two other well-known songs in my own 
adapted version. The rest, the other ten songs, were all my own 
original compositions. Even though I am a Rock musician, \"Shangri-La\" 
is a multi-styled production. I took demonstration cassettes of 
\"Shangri-La\" to the ten major record companies in London. All ten 
were somehow mysteriously \"mislaid\". Representatives of the A&R 
departments concerned refused even to come to the phone to give me an 
explanation, delegating other people to take the call instead and tell 
me that they were still having trouble locating the cassette. All ten 
cassettes??...Isn\'t that a bit much to be a coincidence??... One of 
the other two items I\'d re-worked for \"Shangri-La\" was \"If I Had A 
Hammer\". The rhythm and arrangements were all distinctly different in 
my version from the original song. One day, after having delivered my 
cassettes to the main record companies, I switched on the television, 
only to see the launch of a new programme featuring Trini Lopez\'s 
original \"If I Had A Hammer\" as the theme song...That was after my 
version of the long-forgotten song had been heard by the record 
companies. Again, after my cassettes had gone out to the record 
companies, a big night club that was owned by people who had links with 
the record industry started running a show they called \"Shangri-La\". 
They stole the name from my production. I ended up having to hire 
solicitors to get them to stop using the name, as I had already had it 
registered for musical purposes. During that same period I received 
dozens of nuisance calls on my mobile phone from people mocking me with 
taunts like: \"Don\'t you have a record deal ?\", or \"Go find another 
country\", or \"I\'m not hearing your songs on the radio\"... Realizing 
that there must be a conspiracy against me I had promotional CDs 
pressed of \"Hey Jude\" and distributed them to 84 radio stations 
around England. After a couple weeks I had letters back from radio 
stations saying they couldn\'t play \"Hey Jude\" on their programmes, 
although some of the selfsame directors went on to praise my 
arrangement of the song. Capital Radio described it as \"a very 
interesting arrangement\". The BBC World Service went on to call it \"a 
very original and quite virtuoso arrangement\". From Sony Music I read: 
\"..I was really impressed with the quality of the performance and your 
new arrangement\". If the song was good enough to generate such 
comments, why wouldn\'t they play it ? ? ? After the radio set-back I 
sent a CD of my adapted version of \"Hey Jude\" to Paul McCartney at 
his office, asking if he could give me a hand by contacting some of the 
radio station directors. A week later I followed up by phoning his 
office, only to be met with one of the secretaries, who in a rude and 
aggressive manner dismissed me with,: \"We\'ve put your CD of \"Hey 
Jude\" in a cold cellar...\". Why such a violent reaction ? ?... So I 
wrote to Paul McCartney. I even made 16 copies of my letters and mailed 
them separately to be sure that one of them at least got through to him 
at his home. Yet I never had a reply. Interestingly enough, just at 
that time I started to hear massive outpourings of the Beatles\' \"Hey 
Jude\" on the radio,and Paul McCartney himself suddenly began 
performing live again at the \"Cavern\" in Liverpool after years of 
inactivity. It was during those same months that I was getting 
threatening, anonymous phone calls on my mobile, warning me against 
giving live performances or playing anywhere. The calls were always 
made from public telephones. One music agent whom I\'d contacted in an 
effort to find myself a manager, apologized, saying: \"I\'m sorry, but 
I cannot use you...\". He refused to say why and hung up on me. That 
was when I realized what a huge operation I was up against. So huge, in 
fact, that in the three and a half years I have been in England this 
second stay I have as yet to give my first live concert or perform 
anywhere, despite having contacted more than 20 music agents. Five 
months after my \"Hey Jude\" was blocked on British radio stations the 
latest Beatles\' CD came out. This was the second time that my 
adaptation of \"Hey Jude\" had caused a Beatles\' Anthology to 
appear..It seems some people regard my \"Hey Jude\" as a threat... And 
as another \"coincidence\", the e-mail address that Paul McCartney 
offered for fans to write to him is called heyjude18 at hotmail.com...as I 
said before, after my Hey Jude got blocked on British radio, Paul 
McCartney rushed in with concerts at the \"Cavern\" in Liverpool and 
launched this second Beatles Anthology CD. Nevertheless, when he saw 
that the concerts only gathered a very small audience and that the CD 
did not sell as expected, now he pushed for a CD to come out of his 
work with his group \"Wings\"...all this with no let-up, one thing 
after another, like he was trying to gain time for something, wanting 
to be constantly present in people\'s minds for some reason....It is 
with sadness that I realize that possibly some people could be very 
afraid of my Hey Jude.... Most recently, one of my piano tuning 
customers, who is involved with the British music industry, said an 
aggressive letter had been forged in my name and sent out to different 
branches of the above mentioned music industry and to other parts of 
the music world. This was further confirmed by a DJ friend of mine in 
British radio...What vile extremes will some people not resort to in 
their attempt to alienate others from me???... Also, as another 
\"coincidence\", one of the ten major record companies in London that 
stole my \"Shangri-la\" cassettes, has just launched a CD of one of 
their bands (namely, the Stone Temple Pilots), being the band\'s CD 
title exactly the same as my own, with the addition of a couple of 
words to make the title a comical phrase !!! ..... They\'ve launched it 
through one of their branches in another part of the world.....I 
suspect this is a subtle trap by this record firm expecting me to react 
to their action to implicate me with that part of the world.....I will 
not fall into that trap.....Now they are trying to block me in other 
parts of the world as well.....it looks like some people consider my 
work something very dangerous, judging by the amount of conspiracy they 
are generating......once again, it is amazing to see the vile maneuvers 
of some people...... What I have said so far is just the tip of the 
iceberg. Depending on how things go, the full iceberg may yet come to 
light in all its magnitude. I don\'t want to blame anybody but I feel 
my story has to be told. I come looking to all music lovers to help me 
fight this horrible multi-tentacled monster that has kept me and my 
work out of the public eye and stolen my ideas. It is because of this 
conspiracy against me that I have had to find shelter on the Internet. 
Me and my work can only be found at my website. Look on the Internet 
for the name of J/o/s/e/p/h F/e/r/r/a/n/t/e\'s website. I invite you 
all to it. Yours sincerely: J/o/s/e/p/h F/e/r/r/a/n/t/e. (end of the 
email received by our Editor) -----------------------------2nd. 
part----------------------------- IN BRIEF ======== J/o/s/e/p/h 
F/e/r/r/a/n/t/e, the music genius that The Beatles and their record 
firm blocked during 13 long years, in a gigantic plot which involved 
different sectors of the music industry... 
----------------------------3rd. part---------------------------- 
ADDENDUM ======== The adaptation of Hey Jude by J/o/s/e/p/h 
F/e/r/r/a/n/t/e has been granted a PUBLISHING AGREEMENT by the 
copyright owners. Due to this fact, the people involved, not being able 
to stop it legally, use all kind of vile and subreptitious and illegal 
manoeuvres to do it...... The only reason for this (and we must humbly 
say it because enough is enough) is that the adaptation of Hey Jude by 
F/e/r/r/a/n/t/e makes the original song look like an absolute 
nothing....They try to hide the sun with a finger...... It is possible 
to hide things from all the people part of the time and it is possible 
to hide things from part of the people all the time, but it\'s 
impossible to hide things from all of the people all of the time.. 
..and what was done in the night, shows in daylight...... And the clear 
evidence showing that all these facts are true is that the 
transcendental masterpiece made by F/e/r/r/a/n/t/e is not known by the 
public, having F/e/r/r/a/n/t/e\'s adaptation of Hey Jude a publishing 
agreement by the copyright owners and all..... 
---------------------------------4th. Part--------------------------- 
...And not only they blocked the adaptation of Hey Jude by J/o/s/e/p/h 
F/e/r/r/a/n/t/e.....but they also blocked his own compositions, our 
dear friend and reader..... Hey Jude is one among nine songs on the 
\"Shangri-La\" CD....the other eight are F/e/r/r/a/n/t/e\'s own 
compositions....they blocked those eight songs as well...... 
---------------------------5th. Part--------------------------- 
BREAKING NEWS ============= And now, after the people involved and 
their big international firm had used the pulling of strings and the 
traffic of influences with the newspapers so that they wouldn\'t 
publish this article, they are also trying to pretend in front of 
people as a big masquerade that Paul McCartney still owns the copyright 
for Hey Jude, when in fact he sold the rights of the Beatles\' songs to 
three different international entities. Of these three international 
entities, F/e/r/r/a/n/t/e was granted a PUBLISHING AGREEMENT for his 
adaptation of Hey Jude by the owners of the copyright of the song. 
(AVAILABLE ON DEMAND) We hope you understand that he has a Publishing 
Agreement for his Hey Jude....we repeat..... We hope you understand 
that he has a Publishing Agreement for his Hey Jude....we repeat..... 
We hope you understand that he has a Publishing Agreement for his Hey 
Jude.... Did you understand?...Did you?.... Due to the fact that Paul 
Mc Cartney thinks that people are stupid and that he can twist the 
facts in front of audiences and that people will never know what things 
are like in real life, they are still lying to audiences and making 
them think that the bass player owns the song and this and the other, 
when in fact THERE IS NOTHING THEY CAN LEGALLY DO TO STOP THE 
ADAPTATION BY F/E/R/R/A/N/T/E, other than the pulling of strings in 
newspapers and the traffic of influences here and there, all of which 
is done ILLEGALLY, SUBREPTITIOUSLY, AND VERY HIDDEN AND 
SUBTERRANEAN.....All this because the copyrights ARE NO LONGER THE BASS 
PLAYER\'S....we repeat.....NO LONGER HIS...... Once again, the ONLY 
REASON for this is that the adaptation of Hey Jude by F/e/r/r/a/n/t/e 
makes the original song look like an absolute nothing...... ...they 
know VERY WELL that an elementary song had been upgraded to a 
MASTERPIECE......they fear the adaptation........it takes their sleep 
away............. .......And the stature of the man is determined by 
the amount of conspiracy he generates...... 
--------------------------------------------------------------------- 
IN ADDITION J/o/s/e/p/h F/e/r/r/a/n/t/e is one of the greatest 
musicians ever existed, whose supernatural musical powers made the 
established musicians and the music industry forge the biggest 
international plot ever, to stop him. We are talking of a music 
encyclopedia that knows and plays almost every existing song. We are 
talking of a music monster whose supernatural perception of sound can 
play a song just by listening to it for the first time. A supernatural 
talent who can create the most amazing improvisations out of the blue. 
It is due to this supernatural perception of sound that he became a 
piano tuner to London Symphony Orchestra and to the Royal Albert Hall, 
sometimes back. Concerning his craftsmanship as a piano tuner and 
technician, Mr. Nigel Hill, manager of the piano department of Chappell 
of London says of him in a reference letter: \"He has been a great 
contribution to Chappell of Bond Street in the pianoforte field\"... 
--------------------------------------------------------------------- 
EVEN MORE However, being one of the greatest musicians ever existed is 
just the beginning of J/o/s/e/p/h F/e/r/r/a/n/t/e...the very 
beginning... J/o/s/e/p/h F/e/r/r/a/n/t/e is a graduated architect, a 
graduated doctor, a graduated psychologist, a nearly graduated 
biologist, an astronomer, a web designer, a philosopher, a writer, a 
painter, a master in all religions, a master in all occult sciences, a 
magician, an astrologer, a yoga teacher, a piano tuner and technician, 
a music teacher, a martial artist, a weightlifting trainer, a graduated 
actor, an acupuncturist, a chess teacher, a homeopater, a professional 
level photographer, a four languages speaking man... J/o/s/e/p/h 
F/e/r/r/a/n/t/e holds a 185 I.Q. He spends 27 hours a day with a book 
in his hands, EVERY DAY of his life. J/o/s/e/p/h F/e/r/r/a/n/t/e is one 
of the greatest geniuses of our days. 
--------------------------------------------------------------------- 
AND MORE Did you know that J/o/s/e/p/h F/e/r/r/a/n/t/e caused all this 
Latin thing that is going on with his Hey Jude? As we told you before, 
after his adaptation of Hey Jude was sent to Spain, a group of very bad 
musicians called \"los rolin\" came out in Spain attempting to do the 
Beatles\' music in Latin flamenco style, the same style as 
F/e/r/r/a/n/t/e\'s Hey Jude, but all they did was music crap, due to 
the bad quality of the musicians. They stole J/o/s/e/p/h 
F/e/r/r/a/n/t/e\'s intellectual property but did it very poorly, 
compared to the transcendental masterpiece made by the music genius. 
After this, when the \"Sgt. Pepper\'s lonely hearts club band\" salsa 
adaptation of J/o/s/e/p/h F/e/r/r/a/n/t/e was sent to the record firms 
in New York, a Latin intellectual property thief entertainer called 
Ralph Mercado reunited musicians from different orchestras and 
attempted to do a very poor salsa interpretation of the Beatles\' 
music. Among the people that participated were Latin intellectual 
property thieves from \"Fania All Stars\" like Celia Cruz and Tito 
Puentes. Another Latin called Oscar de Leon participated in the 
intellectual property theft. Unfortunately all they did was music crap 
due to the fact of being very poor musicians, but good thieves... Latin 
entertainer Ralph Mercado did such a shameless theft that he even made 
a parody of the sleeve of the Beatles\' \"Sgt. Pepper\'s\" and used it 
as sleeve of his theft production, having been \"Sgt. Pepper\'s lonely 
hearts club band\" the F/e/r/r/a/n/t/e\'s salsa adaptation sent to New 
York... After J/o/s/e/p/h F/e/r/r/a/n/t/e opened the door for this 
Latin style thing with his two adaptations, the record firm that 
designed his blocking (the Beatles\' firm) and that also got the Latin 
section of the biggest firm on Earth involved (no names, just the Latin 
section), (it is just amazing to see the amount of MULTI MILLIONS that 
these two firms have invested in blocking the man) carried on with the 
intellectual property theft producing Latin music crap such as Ricky 
Martin, Shakira, Jennifer Lopez, Mariah Carey, etc., etc. These two 
firms got other firms involved in the blocking of J/o/s/e/p/h 
F/e/r/r/a/n/t/e later on. All this Latin thing happening was caused and 
triggered by J/o/s/e/p/h F/e/r/r/a/n/t/e\'s two Latin adaptations. And 
do not consider the man as Latin. He just happens to be one of the best 
musicians on Earth in almost every existing style. The man is a MUSIC 
ENCYCLOPEDIA, as we told you earlier on... 
---------------------------------P.S.------------------------------- We 
expect your cooperation against this NAZI FACT and against the MOST 
VILE AND CRUEL THING DONE TO A HUMAN BEING IN THE WHOLE STORY OF 
MANKIND. Not only they blocked his Hey Jude (otherwise there wouldn\'t 
be a problem) but THEY BLOCKED ALL HIS SONGS AND HIS PERSON TOO!!!.. 
Did you understand? Did you at last understand? It is needed that YOU 
PROTEST AGAINST THIS NAZI FACT. YOUR COOPERATION IS NEEDED. 
Respectfully....our dear friend and reader. THE NEWS MEDIA. 
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Lieu: Monde Type d'événement: action Thème de l'événement: racisme, 
discriminations
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