[indymediapr] VIDEO: Confirmando el uso de armas químicas contra iraquíes civiles
alejandro guerrero
guerrero_hc en hotmail.com
Mie Nov 16 17:13:53 PST 2005
Artículo:(En inglés)
http://wsws.org/articles/2005/nov2005/chem-n11_prn.shtml
Video:
http://www.rainews24.rai.it/ran24/inchiesta/video.asp
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Film documents American use of chemical weapons in Iraq
By Rick Kelly
11 November 2005
The Italian state television network, RAI, has broadcast a documentary that
contains footage and testimony proving that the American military has used
chemical weapons in Iraq, including in civilian areas. The film, titled
Fallujah: the hidden massacre, specifically examined the use of white
phosphorous, an incendiary and corrosive chemical agent, during the US
assault on Fallujah in November 2004. Former US soldiers, Iraqi doctors and
international journalists were interviewed, and graphic images were shown of
Iraqi civilians killed by chemical weapons.
The filmmakers spoke with former army specialist Jeff Englehart, who
participated in the Fallujah offensive. He was asked if US forces had used
chemical weapons. “From the US military, yeah, absolutely,” Englehart
replied. “White phosphorus, possibly napalm may or may not have been used, I
don’t know. I do know that white phosphorus was used, which is definitely,
without a shadow of a doubt, a chemical weapon.”
The former soldier, who is now strongly opposed to the war, described how he
saw the corpses of those killed by phosphorous. “Burned. Burned bodies. I
mean, it burned children, and it burned women. White phosphorus kills
indiscriminately. It’s a cloud that will within, in most cases, 150 metres
of impact will disperse, and it will burn every human being or animal....
“The gasses from the warhead of the white phosphorous disperse in a cloud.
And when it makes contact with skin, then it’s absolutely irreversible
damage—burning of flesh to the bone.... If you breathe it, it will blister
your throat and your lungs until you suffocate, and then it will burn you
from the inside. It basically reacts to skin, oxygen, and water. The only
way to stop the burning is with wet mud. But at that point, it’s just
impossible to stop.”
The documentary contained footage shot by a team of Iraqi doctors who
entered Fallujah after the offensive to assist with the burial of the dead.
The film’s narrator described the horrific images: “The bodies of civilian
casualties, of women still clutching the masbaha, the Islamic rosary, their
bodies showing strange injuries, some burnt to the bone, others with skin
hanging from their flesh. There is no sign of bullet wounds. The faces have
literally melted away, just like other parts of the body. The clothes are
strangely intact... Some animals are also dead without any apparent injury.”
The documentary also broadcast a number of still images collected by Mohamad
Tareq al-Deraji, the director of the Centre for the Study of Human Rights in
Iraq. The photographs showed men and women burned beyond recognition, their
skin either caramelised or completely dissolved. In some cases little more
than the victims’ skulls and teeth remain. None of the clothes on the bodies
are burnt, indicating that conventional weapons could not have been
responsible.
After independent journalists first reported the accusations of Fallujah
residents that chemical weapons were used against them, the US military
issued a formal denial in December 2004. “US forces have used [phosphorous
shells] very sparingly in Fallujah, for illumination purposes,” the
statement declared. “They were fired into the air to illuminate enemy
positions at night, not at enemy fighters.” The Italian documentary proves
this to be a lie—the chemical shells killed both resistance fighters and
civilians.
The offensive use of white phosphorous is a clear breach of international
law and represents yet another war crime committed by US forces in Iraq. The
1980 UN Convention on Certain Convention Weapons outlaws the use of
incendiary and chemical weaponry in civilian areas.
Speaking on the “Democracy Now!” radio program, Lieutenant Colonel Steve
Boylan, US military spokesman in Iraq, attempted to deny this. “[The
filmmakers are] calling white phosphorous an illegal weapon,” he said. “And
that is an error. It’s a perfectly legal weapon to use by all conventions of
land warfare.” He also insisted that the dead civilians shown in the
documentary could have been killed by conventional explosives. Boylan could
not explain, however, how the clothes of the dead could have remained
intact.
The military’s use of chemical weapons in Fallujah was part of its
collective punishment of the city’s entire population. Fallujah became one
the main centres of the resistance after April 2003, when US forces shot
into crowds of unarmed protestors on two occasions, killing 16 people. In
April 2004, US commanders were humiliated when resistance fighters repulsed
a ground offensive that was aimed at regaining the occupation forces’
control over the area.
The subsequent massacre in November was intended to serve notice to the
entire Iraqi people, warning them against supporting the resistance. Once
the assault on Fallujah began, no males aged between 15 and 55 were
permitted to leave the city. Despite earlier US demands for a mass
evacuation, an estimated 100,000 civilians were either unable or unwilling
to leave. Insurgents armed with little more than AK-47s and rocket-propelled
grenades were pounded by massive artillery fire from ground and air. US
forces shelled and bombed the entire city, reducing much of it to rubble.
The US army subsequently claimed to have killed 1,200 insurgents, but
refused to issue any estimate of civilian casualties. Those killed were
quickly buried, many in mass graves, and to this day no one knows exactly
how many died. Shortly after US forces recaptured the city, Iraqi Red
Crescent spokesman Muhammad al-Nuri estimated that at least 6,000 people had
been killed.
Jeff Englehart described the rules of engagement he was issued before the
November attack. “I was personally involved with escorting a commander to
Fallujah for Operation Phantom Fury,” he told RAI. “We were told [before]
going into Fallujah, into the combat area, that every single person that was
walking, talking, breathing was an enemy combatant. As such, every single
person that was walking down the street or in a house was a target.”
When asked what he would tell his child about the operation, the former
soldier replied, “It seemed like just a massive killing of Arabs. It looked
like just a massive killing.”
Englehart also confirmed that the assault was timed so it would not
interfere with President George Bush’s re-election campaign. “That was
definitely the case,” he declared. “Even in the ranks, in the military
ranks, we knew it was going on. They told us that we were going to wait
[until] after the election, the American election, before going into
Fallujah. And we had already set up the whole operation, like it was ready
to go. And we were waiting for two or three days for this election to be
over with.... When Kerry conceded, though, it was like within a matter of a
day, it was going, it was happening. That was definitely the case.... We
were told directly from the Pentagon to wait until after the election before
going into Fallujah, and that’s exactly what we did.”
The Italian-produced documentary also examined the use of MK-77 by US
forces, an incendiary explosive, which, in composition and effect, is almost
identical to napalm. The Pentagon has admitted employing the weapon during
the 2003 invasion, though it maintains that the chemical was used only
against Iraqi military targets.
The use of chemical weaponry by the US-led forces in Iraq is indicative of
the criminal character of the entire war. Chemical weapons are indelibly
associated with many of the most barbarous episodes of the twentieth
century—from the use of mustard gas in the trenches of World War I to the
indiscriminate unleashing of napalm and Agent Orange in the Vietnam War.
History will soon come to remember the Bush administration’s crimes in Iraq
alongside these atrocities.
* * *
Fallujah: the hidden massacre, produced by Sigfrido Ranucci and Maurizio
Torrealta, is available in English translation, and can be downloaded here:
http://www.rainews24.rai.it/ran24/inchiesta/video.asp
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