[IMC-bristol] film night

[Kyra]

now you remind me, i knew about the undercurrents thing actually, ian 
had mailed list about it
i think we need to be a bit flexible if poss and include something 
fairford-related as the trial - iraq war on trial in bristol: 
potentially big news - starts that day and its good if we can be timely 
with it.
 
given ians message regarding backing off from indymedia activity until 
tony situ resolved, i guess its up to the rest of the group whether we 
can rise to the topical occasion and get something fairford-esque in 
there, perhaps negotiate with paul o'connor (undercurrents) - he may 
even be planning to show something related himself?  or swap one of the 
shorts to next month - i wonder whether jon would mind moving back a 
month for example, and then we could give him bit more time, i saw him 
talk at bristol uni once and was interesting.  cube deadline for copy is 
12th, and nothing submitted to them as yet, so we need to move on this...

anyway you're right that we need to keep track of what we're 
programming: tony came round to the cube last night looking to tell cube 
that he'd been talking to james garratt (htv) about showing his merchant 
venturers film, when we've already got it in march's programme as a 
feature of the indymedia night.  worryingly james seemed to have 
forgotten this when he talked to tony, from what tony said, so can 
ian/tony let me have james' number so the cube can confirm it with him - 
thanks.  
lets have a films round-up on monday to get future films pencilled in.

and i think pru's place is a great location for the next/tony meeting. 
cheers,
kyrax

Fowler, Pru wrote:

>Actually the line up for April's film night was confirmed a 
>while ago, sorry Kyra!
>
>We are so efficient these days (hehe)
>
>It's going to be opened by Island of Flowers, a great 
>little short of encyclopeadic proportions.
>
>Then a presentation from Gorilla Tapes (Jon Dovey), who were
>very active video activists in the 80s, featuring such 
>documents as 'Zygosis', a look at John Hartfield's 
>pioneering use of photomontage as a political weapon, and 
>'Commander in Chief'.
>
>The second half is dedicated to 'Undercurrents' (Paul 
>O'Connor), Gorilla Tapes current day eqivillant and the 
>latest he has in stall for us.
>
>I think Crash had some ideas for May, but perhaps BSTW was 
>it.  Ian's the man with the reigns on this one.
>
>P.x
>
>  
>